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Centre for Music and Science

 

2024

Cheung, V. K. M., Harrison, P. M. C., Koelsch, S., Pearce, M. T., Friederici, A. D., & Meyer, L. (2024). Cognitive and sensory expectations independently shape musical expectancy and pleasure. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences, 379(1895), 20220420. https://doi.org/10.1098/rstb.2022.0420

Cheston, H., Cross, I., & Harrison, P. M. C. (2024). Trade-offs in coordination strategies for duet jazz performances subject to network delay and jitter. Music Perception, 42(1), 48-72. https://doi.org/10.1525/mp.2024.42.1.48

Cheston, H., Schlichting, J. L., Cross, I., & Harrison, P. M. C. (2024). Jazz Trio Database: Automated timing annotation of jazz piano trio recordings processed using audio source separation. Transactions of the International Society for Music Information Retrieval. https://doi.org/10.5334/tismir.186

Cheston, H., Schlichting, J. L., Cross, I., & Harrison, P. M. C. (accepted). Rhythmic qualities of jazz improvisation predict performer identity and style in source-separated audio recordings. Royal Society Open Science. https://doi.org/10.31234/osf.io/txy2f

Cheung, V. K. M., Harrison, P. M. C., Koelsch, S., Pearce, M. T., Friederici, A. D., & Meyer, L. (2024). Cognitive and sensory expectations independently shape musical expectancy and pleasure. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences, 379(1895), 20220420. https://doi.org/10.1098/rstb.2022.0420

Harrison, P. M. C. (2024) & MacConnachie, J. (2024). Consonance in the carillon. Journal of the Acoustical Society of America156(2), 1111-1122. https://doi.org/10.1121/10.0028167

Jacoby, N., Polak, R., Grahn, J. A., Cameron, D. J., Lee, K. M., Godoy, R., Undurraga, E. A., Huanca, T., Thalwitzer, T., Doumbia, N., Goldberg, D., Margulis, E. H., Wong, P. C. M., Jure, L., Rocamora, M., Fujii, S., Savage, P. E., Ajimi, J., Konno, R., … McDermott, J. H. (2024). Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries. Nature Human Behaviour. https://doi.org/10.1038/s41562-023-01800-9

Jimenez, I., Kuusi, T., Ojala, J., & Harrison, P. M. C. (2024). The effect of chord duration on the relative salience of chord-type and voicing changes. Psychology of Music. https://doi.org/10.1177/03057356241247533

Marjieh, R*., Harrison, P. M. C.*, Lee, H., Deligiannaki, F., & Jacoby, N. (2024). Timbral effects on consonance disentangle psychoacoustic mechanisms and suggest perceptual origins for musical scales. Nature Communications, 15(1), 1482. https://doi.org/10.1038/s41467-024-45812-z

*equal contribution

Wilkie, H., & Harrison, P. M. C. (accepted). Reverberation time and musical emotion in recorded music listening. Music Perception.

Zhang, X. (2024). Tones shape notes: The realisation of lexical tones in Chaozhou songs. Psychology of Music. https://doi.org/10.1177/03057356231221958.

Zhang, X. & Cross I. (2024). Singers’ realizations of linguistic tone in Chaozhou song. Ethnomusicology, 68(2).

2023

Anglada-Tort, M., Harrison, P. M. C., Lee, H., & Jacoby, N. (2023). Large-scale iterated singing experiments reveal oral transmission mechanisms underlying music evolution. Current Biology: CB, 33(8), 1472–1486.e12. https://doi.org/10.1016/j.cub.2023.02.070

Anstee, L., Müllensiefen, D., & Harrison, P. M. C. (2023). Handedness and musicality in secondary school students. Music Perception, 40(5), 373–394. https://doi.org/10.1525/mp.2023.40.5.373

Spiro, N., Sanfilippo, K. R. M., McConnell, B. B., Pike-Rowney, G., Bonini Baraldi, F., Brabec, B., Van Buren, K., Camlin, D., Cardoso, T. M., Çifdalöz, B. U., Cross, I., Dumbauld, B., Ettenberger, M., Falkenberg, K., Fouché, S., Frid, E., Gosine, J., Graham-jackson, A. l., Grahn, J. A., … de Wit, K. (2023). Perspectives on musical care throughout the life course: Introducing the Musical Care International Network. Musicae Scientiae, 6. https://doi.org/10.1177/20592043231200553

Cross, I. (2023). Music in the digital age: commodity, community, communion. AI & Society. https://link.springer.com/article/10.1007/s00146-023-01670-9

Cross, I. (2023). Sharing uncertainty: Music in humanistic and scientific understandings. Musicae Scientiae. https://doi.org/10.1177/10298649231197388

MacIntyre, A. D., Lo, H. Y. J., Cross, I., & Scott, S. (2023). Task-irrelevant auditory metre shapes visuomotor sequential learning. Psychological Research, 87(3), 872–893. https://doi.org/10.1007/s00426-022-01690-y

Sanfilippo, K. R. M., Glover, V., Cornelius, V., Amiel Castro, R. T., McConnell, B., Darboe, B., Huma, H. B., Ceesay, H., Ramchandani, P., Cross, I., & Stewart, L. (2023). Expression of antenatal symptoms of common mental disorders in The Gambia and the UK: a cross-sectional comparison study. BMJ Open, 13(7), e066807. https://doi.org/10.1136/bmjopen-2022-066807

Yu, C. G., Blackwell, A. F., & Cross, I. (2023). Perception of rhythmic agency for conversational labeling. Human–Computer Interaction. https://doi.org/10.1080/07370024.2021.1877541

2022

Anglada-Tort, M., Harrison, P. M. C., & Jacoby, N. (2022). REPP: A robust cross-platform solution for online sensorimotor synchronization experiments. Behavior Research Methods, 54(5), 2271–2285. https://doi.org/10.3758/s13428-021-01722-2

Sanders, S., & Harrison, P. M. C. (2022). A case study investigating the interaction between tuba acoustic radiation patterns and performance spaces. Audio Engineering Society Convention 153http://www.aes.org/e-lib/browse.cfm?elib=21924

Silas, S., Müllensiefen, D., Gelding, R., Frieler, K., & Harrison, P. M. C. (2022). The associations between music training, musical working memory, and visuospatial working memory: an opportunity for causal modeling. Music Perception, 39(4), 401–420. https://doi.org/10.1525/mp.2022.39.4.401

van Rijn, P., Mertes, S., Schiller, D., Dura, P, Siuzdak, H., Harrison, P. M. C., André, E. and Jacoby, N. (2022). VoiceMe: Personalized voice generation in TTS. Interspeech 2022.

Cao, E. L., Blinderman, C. D., & Cross, I. (2022). Reconsidering empathy: An interpersonal approach and participatory arts in the medical humanities. In T. Jones & K. Pachucki (Eds.), The Medical/Health Humanities-Politics, Programs, and Pedagogies (pp. 115–128). Springer International Publishing. https://doi.org/10.1007/978-3-031-19227-2_8

Cross, I. (2022). Music, memory and narrative: The art of telling in Tale of Tales. Animation, 17(3), 334–346. https://doi.org/10.1177/17468477221114596

Lillywhite, A., Nijhof, D., Glowinski, D., Giordano, B. L., Camurri, A., Cross, I., & Pollick, F. E. (2022). A functional magnetic resonance imaging examination of audiovisual observation of a point-light string quartet using intersubject correlation and physical feature analysis. Frontiers in Neuroscience, 16, 921489. https://doi.org/10.3389/fnins.2022.921489

Robledo, J.-P., Cross, I., Boada-Bayona, L., & Demogeot, N. (2022). Back to basics: A re-evaluation of the relevance of imprinting in the genesis of Bowlby’s attachment theory. Frontiers in Psychology, 13, 1033746. https://doi.org/10.3389/fpsyg.2022.1033746

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Latest news

New paper: Artist identification using rhythm via machine learning

1 October 2024

We are excited to share our new paper appearing in the journal Royal Society Open Science, entitled “Rhythmic Qualities of Jazz Improvisation Predict Performer Identity and Style in Source-Separated Audio Recordings”. This was completed by Huw Cheston during his PhD at the CMS, and builds from two earlier publications...

New paper: Computational analysis of improvised music at scale

1 October 2024

Our new paper entitled “Jazz Trio Database: Automated Annotation of Jazz Piano Trio Recordings Processed Using Audio Source Separation” is just published in Transactions of the International Society of Music Information Retrieval (TISMIR). This paper arises from work completed by Huw Cheston during his PhD at the CMS, in...

New paper: Coordinating online music performances

1 October 2024

Our new paper entitled “Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter” has just been published in Music Perception. This paper arises from work completed by Huw Cheston during the early stages of his PhD at the CMS, and was funded by an award from Cambridge Digital...