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Centre for Music and Science

 
Ian Cross is Emeritus Professor of Music & Science, having retired in 2021 as Director of the Centre for Music and Science where he led a lively group of graduate students and postdoctoral researchers in exploring music, its materials and its effects from a wide range of scientific perspectives. His early research helped set the agenda for the study of music cognition; he has since published widely in the field of music and science, from the psychoacoustics of violins to the evolutionary roots of musicality.
Sarah Hawkins is Emeritus Professor of Speech and Music Science and a Fellow of the Acoustical Society of America. She has broad interests in how humans communicate using sound-based systems. Her particular specialism is in the acoustics and perception of speech. Her early research studied timing and rhythm in children’s speech, subsequently turning to exploration of subtle differences in acoustic-phonetic patterns that systematically reflect distinctions in linguistic structure, and of how listeners use these subtle cues to understand natural and synthetic speech. These interests have been subsequently extended to the study of musical interaction and performance, as well as speech.

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Latest news

New paper: Artist identification using rhythm via machine learning

1 October 2024

We are excited to share our new paper appearing in the journal Royal Society Open Science, entitled “Rhythmic Qualities of Jazz Improvisation Predict Performer Identity and Style in Source-Separated Audio Recordings”. This was completed by Huw Cheston during his PhD at the CMS, and builds from two earlier publications...

New paper: Computational analysis of improvised music at scale

1 October 2024

Our new paper entitled “Jazz Trio Database: Automated Annotation of Jazz Piano Trio Recordings Processed Using Audio Source Separation” is just published in Transactions of the International Society of Music Information Retrieval (TISMIR). This paper arises from work completed by Huw Cheston during his PhD at the CMS, in...

New paper: Coordinating online music performances

1 October 2024

Our new paper entitled “Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter” has just been published in Music Perception. This paper arises from work completed by Huw Cheston during the early stages of his PhD at the CMS, and was funded by an award from Cambridge Digital...