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Centre for Music and Science

 

The purpose-built CMS building houses two Studios, a Computer Room, and a Research Room.

Studios

The Faculty operates a fully-equipped studio within our Centre for Music and Science which is available to students and staff at the Faculty of Music following an induction provided by the CMS Technical Specialist, Dr Myles Eastwood (mjfe2).

The facility comprises two isolated spaces, Studios 1 and 2, which can be booked for any audio-related activity, from electro-acoustic composition to psychology experiments. A wide selection of software, high-quality playback systems (in stereo and various surround configurations), and numerous bits of hardware ranging from user-friendly portable recorders to industry-standard microphones, is provided.

The two spaces can be booked together and patched into each other in a traditional control room/studio configuration, as well as patched into the Concert Hall and Recital Room depending on the user's needs. For electroacoustic composers the 8-channel playback rig in Studio 1 mirrors the 8-channel system recently installed in the Recital Room.

Studio 1

 

Studio 2

 

Computer Room

The Computer Room contains 11 Apple iMacs, each with a MIDI keyboard. Each iMac runs Sibelius, Microsoft Office and Logic Pro, as well as a wide range of freeware.

 

Research Room

The Research Room contains a collection of additional Windows and Macintosh machines running a variety of specialist software for audio analysis, video editing, composition, and architectural acoustic simulation. It also contains a sound-proofed booth for running auditory experiments.


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Latest news

New paper: Artist identification using rhythm via machine learning

1 October 2024

We are excited to share our new paper appearing in the journal Royal Society Open Science, entitled “Rhythmic Qualities of Jazz Improvisation Predict Performer Identity and Style in Source-Separated Audio Recordings”. This was completed by Huw Cheston during his PhD at the CMS, and builds from two earlier publications...

New paper: Computational analysis of improvised music at scale

1 October 2024

Our new paper entitled “Jazz Trio Database: Automated Annotation of Jazz Piano Trio Recordings Processed Using Audio Source Separation” is just published in Transactions of the International Society of Music Information Retrieval (TISMIR). This paper arises from work completed by Huw Cheston during his PhD at the CMS, in...

New paper: Coordinating online music performances

1 October 2024

Our new paper entitled “Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter” has just been published in Music Perception. This paper arises from work completed by Huw Cheston during the early stages of his PhD at the CMS, and was funded by an award from Cambridge Digital...